Founding issue / April 17, 2026 Numero fondateur / 17 avril 2026 Grunnutgave / 17. april 2026 Curious, rigorous, lightly mischievous. Curieux, rigoureux, legerement malicieux. Nysgjerrig, grundig og litt rampete.
Section 02 / Education Section 02 / Etudes Seksjon 02 / Utdanning Jazz desk / machine room / family archive / pataphysical bulletin Cahier jazz / salle des machines / archive familiale / bulletin pataphysique Jazzdesk / maskinrom / familiearkiv / pataphysisk bulletin

davegilligan.com

Dave Gilligan

Private AI. Jazz rooms. Civic weather. Pataphysical field notes. IA privee. Salles de jazz. Meteo civique. Notes de terrain pataphysiques. Privat AI. Jazzrom. Samfunnsvaer. Pataphysiske feltnotater.

A bright retro paper for machine rooms, multilingual weather, Norway, family rights, live culture, and the deliberate misuse of the impossible. Un journal retro-lumineux pour les salles des machines, le temps multilingue, la Norvege, les droits familiaux, la culture vivante et l'usage delibere de l'impossible. Et lyst retroblad for maskinrom, flerspraklig vaer, Norge, familierett, levende kultur og bevisst misbruk av det umulige.
The interface changes language first. Long-form features stay in their original edition until translated. L'interface change de langue d'abord. Les longs articles restent dans leur edition d'origine pour l'instant. Grensesnittet skifter sprak forst. Langartiklene blir staende i originalutgaven til de er oversatt.
Special issue / school dossiers

The schools, rewritten as a magazine of migration, trade, weather, and nerve.

This issue treats each school as a chapter in style, place, and formation. The quotes are invented on purpose, signed in faux Boris or faux Vernon mode, and labeled so nobody mistakes the joke for scholarship.

Panoramic view of Villanova University.
Alertjean at English Wikipedia Wikimedia Commons CC BY 3.0
Vernon file 1991 to 1995 Philadelphia, Pennsylvania

Villanova University

BSc, Business Administration

The Main Line chapter, where ambition learned to wear a jacket and talk like it had read both the markets page and the record sleeve.

"A campus is just a neighborhood that has agreed to dream in columns, ledgers, and late-night weather."

Vernon Sullivan, apocryphally Invented line for this page, not an actual Sullivan quote.

Villanova enters the dossier like a first brass hit on an old record: clean, confident, a little ceremonial, and already suspicious of small ambitions. Finance and communication were not enemies here. They were two styles of timing. One counted money and one counted silence, and the trick was to learn both without becoming boring.

In this retelling the campus becomes a disciplined American overture: limestone, routines, Catholic gravitas, and the pressure to convert raw appetite into usable form. The later international chapters make more sense because this one exists. It is the room where method first learned to keep company with voice.

ESCP Paris campus facade.
R-Hudit Wikimedia Commons CC BY-SA 3.0
Darla Moore School of Business in Columbia, South Carolina.
w_lemay Wikimedia Commons CC BY-SA 2.0
Boris file 1997 to 1999 Paris and Columbia, South Carolina

ESCP and Darla Moore

International MBA and Master of International Business

A transatlantic double feature: French polish on one side, Southern scale and execution on the other.

"Business schools should come with ashtrays, train timetables, and at least one language that seduces you into bad strategic decisions."

Boris Vian, counterfeit edition Invented line for this page, written in homage and clearly not authentic.

ESCP arrives in this magazine like a Paris night with better posture. It teaches that commerce can still carry perfume, irony, and architecture. Negotiation here is not merely a spreadsheet event. It is a social instrument, half performance, half geometry, and occasionally a duel conducted with excellent shoes.

Darla Moore changes the lighting. Columbia brings width, confidence, and a deeply American belief that institutions should be built large enough to advertise their seriousness from the street. Together the two schools form a useful contradiction: elegance and force, cafe intelligence and boardroom steel. The combination feels less like a degree and more like an arranged marriage that somehow became a working band.

Collegium Novum at Jagiellonian University in Krakow.
Igor123121 Wikimedia Commons CC BY 4.0
Boris file 2010 to 2011 Krakow, Poland

Jagiellonian University

European Union Studies

Europe, history, bureaucracy, and old stone gathered into a setting too grand to permit shallow thought.

"Every old university knows the same trick: it lets the centuries do half the lecturing while the students pretend they are only studying policy."

Boris Vian, forged in the margins Invented line for this page, not a historical Vian quotation.

Krakow gives the mind a better wardrobe. Jagiellonian does the rest. It stages Europe not as a slogan but as a layered argument, equal parts cathedral, treaty, and administrative comedy. To study the Union in such a place is to feel that regulation, memory, empire, and renovation are all sitting in the same seminar and refusing to leave quietly.

In the Boris register the school becomes a republic of courtyards and paper. Every corridor hints that intellect can still afford ceremony. The point is not nostalgia. The point is scale. The institution keeps reminding you that ideas were already old before they acquired acronyms.

University building in Brussels used here as a Brussels-era academic context image.
William Murphy Wikimedia Commons CC BY-SA 2.0

Context image for the Brussels period while we source an exact Institut Cooreman photograph for your approval.

Boris file 1996 Brussels, Belgium

European University and Institut Cooreman

MBA and Master of International Trade

Brussels as classroom: trade, multilingual weather, and the kind of ambition that smells faintly of rail stations and treaties.

"Brussels never asks whether you speak enough languages. It merely changes languages until your confidence becomes educational."

Boris Vian, nightclub forgery Invented line for this page, offered with a wink and clear labeling.

This Brussels chapter belongs to trade in the old continental sense: movement, tariffs, polished shoes, coffee taken standing up, and the suspicion that every serious conversation is happening one table over in another language. European University and Institut Cooreman sit here as training grounds for mobility, for thinking across borders before digital platforms made the phrase sound cheap.

The city itself does part of the teaching. Brussels is half institution, half weather system. It teaches that commerce is inseparable from translation, and that adulthood in Europe often begins when you stop expecting one vocabulary to be enough.

Kongsberg riverfront used as a context image for the USN chapter.
Bjoertvedt Wikimedia Commons CC BY-SA 4.0

Town image used as a Kongsberg-era stand-in until you approve a specific USN campus photo.

Vernon file 2021 to present Kongsberg, Norway

University of South-Eastern Norway

MSc, Innovation and Technology Management

A late chapter with sharper tools: systems, management, and the mature pleasure of returning to theory with real scars.

"The elegant thing about going back to school later is that the textbooks no longer frighten you. They negotiate."

Vernon Sullivan, counterfeit field note Invented line for this page, not a real Sullivan remark.

USN reads differently because it comes after life has already happened. By the time Kongsberg enters the score, education is no longer a prelude. It is calibration. Innovation and technology management are not abstractions here. They arrive carrying project baggage, family history, operational memory, and all the other facts that younger theory likes to ignore.

In the Vernon key this becomes the tough, grown-up school chapter: less campus myth, more hard-earned synthesis. The setting matters too. Kongsberg offers a Norwegian blend of industry, civility, and weather that keeps every grand idea honest. Study here feels less like self-invention and more like sharpening an instrument you already use in public.